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Sound engineer Laura Gingell opts for body-worn Performance Pouches from Ursa

Ursa recently introduced its latest range of Performance Pouches. Specifically designed for theatre and live events, they have been developed in collaboration with theatre professionals from a wide range of venues and disciplines.

One of the theatrical collaborators was Laura Gingell, a sound engineer with a decade of experience in the West End and currently working at the Littleton Theatre. Gingell realised the sound department had invested huge amounts of money into state-of-the-art technology, but their belts and pouches were often reused until they fell apart. Knowing Ursa from her freelance work, she was keen to offer the company feedback on this latest range of products.

“Mic pouches are time consuming and difficult to make”, she says. “By beginning to swap to Ursa Performance Pouches we can reduce the pressure on the costume department to make so many. We can put them onto our existing belts, so we’re not wasting usable belts. The Ursa fabric is much more hardwearing than the fabric we’re currently using for pouches, so they’re going to last longer, too.”

Crafted with Ursa’s proprietary fabrics, Performance Pouches are available in sizes to suit transmitters like the Shure ADX1M and Sennheiser SK6212, and can be added to in-house belts or work in combination with Ursa belts. The new Pin-It Pouches can be used as stand-alone solutions that can be pinned into costumes or under wigs. Every Ursa product is designed and manufactured in the UK.

(Photo: Ursa)

www.ursastraps.com

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